I don't really have anything new to add to this topic beyond my observations of a trend. To be specific, over the next two years we are going to have a glut of motion pictures which are based on, or reference, video games, based on current projections of release dates:
- 2015: Hitman: Agent 47, Ratchet & Clank, Pixels
- 2016: Warcraft, Uncharted, Angry Birds, Assassin's Creed, Metal Gear Solid, Sly Cooper, Sonic the Hedgehog
Now what do all of these films have in common, with the exceptions of Sonic and Pixels? It's that they all supposed to be set in their games' universe, or one similar to it. Unless there is a rewrite, Sonic is headed towards becoming, as this topic's subtitle states, The Smurfs of video game movies to, say, Ratchet & Clank's The Adventures of Tintin or Asterix (in that it won't be a perfect adaptation, but it'll at least try at that fictional universe instead of abandoning it altogether).
I know it's treading old ground to point out what was wrong with The Smurfs CG romp through New York and what could be wrong with bringing Sonic to the "real world" as it were. Readers, viewers, and gamers generally like the mundane being transported to the fantastical or whimsical (Alice's Adventures in Wonderland, The Wizard of Oz), or that such a world is parallel to the mundane (The Chronicles of Narnia, Who Framed Roger Rabbit?, Harry Potter), instead of vice-versa. The only possible exception that bucked this trend even in the slightest was
Enchanted, but only because, like Roger Rabbit, it played with the tropes of the particular genre it was: Eddie Valiant being squashed in the elevator in Toontown, the dumb Toon bullets, messing with the traffic line in the case of Roger Rabbit vs. the musical numbers, the interruptions thereof, and the little animal friends in Enchanted.
Now I know what you might be saying: "It's supposed to be more gritty than The Smurfs!" Well, one, I'd hope so, but, two, one then has to look out for Transformers/TMNT syndrome. You know what I mean, where the human characters get most of the dialogue and action for about the first ... third of the film, let's say, before we are introduced to our heroes. I know one has to build suspense and all, but let's not threaten to turn the main characters into side characters of their own film.
This post has been edited by Molotok: 10 December 2014 - 10:57 PM