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Not an actual picture of it, but Tom Payne explained me some interesting stuff about it and drew a sketch for me from memory, depicting what did the Digitizers look like.
The screen showed a grid, and some menus would appear possibly in a similar way to those in TUME. In order to zoom in or out you had to go to one of those menus and choose it. Boring stuff.
There was a tablet that used absolute position instead of relative position like any PC mouse would, and there was this wierd device featuring four buttons (only two of them might have worked, though) and a transparent crosshair thing, whose purpose was possibly to just trace the drawings. There's two possibilities on how did it look like, but he made the second one after remembering this stuff, so it might be more correct (and it makes more sense too).
I think it saved the graphics in a format for D-Paint (or maybe it was Sugano's program which converted them to LBM, can't remember right now), and in some apparently standard diskettes that were formatted in a way that they can't be read on a PC (Amiga disk format, perhaps?). I think they used D-Paint for making the known mockups as well as the level pics they sent to DCT so they would get the feeling of the levels before composing their music.
When making the objects and badniks, you had to print them and then write manually the details in the animation that couldn't be seen, so the programmers (Naka in case of the Metropolis gears, for example) would know how to handle the animation frames (ie: writing "<- 1 dot" near a sprite that moved 1 pixel to the left in one of the animation frames)
Also, when making the level tiles, you needed to print all the 16x16 level blocks, number them and then make lists with their order in each of the bigger level blocks.
Then you would send those graphics to a NEC computer where it would be formatted to the Genesis/MD graphics format. Those NEC computers were probably where the ROMs were compiled, and you could even used them to play one-level demos to test the unfinished levels.
I believe that's all, enjoy.
The screen showed a grid, and some menus would appear possibly in a similar way to those in TUME. In order to zoom in or out you had to go to one of those menus and choose it. Boring stuff.
There was a tablet that used absolute position instead of relative position like any PC mouse would, and there was this wierd device featuring four buttons (only two of them might have worked, though) and a transparent crosshair thing, whose purpose was possibly to just trace the drawings. There's two possibilities on how did it look like, but he made the second one after remembering this stuff, so it might be more correct (and it makes more sense too).
I think it saved the graphics in a format for D-Paint (or maybe it was Sugano's program which converted them to LBM, can't remember right now), and in some apparently standard diskettes that were formatted in a way that they can't be read on a PC (Amiga disk format, perhaps?). I think they used D-Paint for making the known mockups as well as the level pics they sent to DCT so they would get the feeling of the levels before composing their music.
When making the objects and badniks, you had to print them and then write manually the details in the animation that couldn't be seen, so the programmers (Naka in case of the Metropolis gears, for example) would know how to handle the animation frames (ie: writing "<- 1 dot" near a sprite that moved 1 pixel to the left in one of the animation frames)
Also, when making the level tiles, you needed to print all the 16x16 level blocks, number them and then make lists with their order in each of the bigger level blocks.
Then you would send those graphics to a NEC computer where it would be formatted to the Genesis/MD graphics format. Those NEC computers were probably where the ROMs were compiled, and you could even used them to play one-level demos to test the unfinished levels.
I believe that's all, enjoy.
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This post has been edited by ICEknight: 24 May 2005 - 04:56 PM
